Men-Chuan Yang, a fisherman with over half a century of fishing experience, sees the ocean in front of his home as if it were his parents, helping him shoulder the heavy responsibility of being the head of the family. Unlike most Hakka people who have memories of farming, his ancestors had already turned to the ocean for development. Even though his father once laughed at him for being clumsy and slowing down progress, Men-Chuan Yang still maintained diligent practice. He collected broken nets and learned his father's hand-woven fishing net technique. Although the nylon fishing line and netting machines from Japan have already replaced hand-woven fishing nets. But he still strives to pass on the skill of hand-woven netting to his grandson, because repairing fishing nets still relies on manual labor. The holes in the net need to be repaired by hand, and the holes in forgetting need to be avoided by generational inheritance. Men-Chuan Yang watches his grandson weave fishing nets, hoping he will remember the admonition "people must not forget their roots."

金持ちの家に盗みに入っては家人に防犯の心得を説いて帰る梅吉は…。舞台である昭和初期に名をはせた説教強盗・津田松吉がモデル。梅吉が現代(=放送当時)の地下鉄や都電に現れたり、鑑賞した映画シーンそのままに刑事と追っかけっこするなど、岡本喜八の演出の腕が冴える軽妙洒脱な一本。

「英雄傳」は元格闘家で構成された半グレ集団ストライクと、武術の達人による討伐隊の抗争を描いた物語。ストライクに苦戦する討伐隊の達人たちの望みは伝説の鞭拳空手継承者・光だったが、光は3年前の試合中の事故で対戦相手を殺めて失踪していた。そんな中、スーパーの駐車場で行われている特撮ヒーローショーに、光が新人として入門してくる。

拉乌尔（科洛维斯·科尔尼拉 Clovis Cornillac 饰）有一个18岁的儿子，在一场可怕的事故中，这个年轻的孩子不幸丧生。警察局调查的结果证明，这个孩子的死纯属意外，虽然感到万分的悲痛，但拉乌尔也不得不接受这个残忍的结果。 　　然而没过多久，一个名叫戴安娜（玛丽-乔西·克罗兹 Marie-Josée Croze 饰）的女人找到了拉乌尔，戴安娜告诉拉乌尔，他的儿子在生前曾经和一所医院签订过一份新药试验协议，而他所遭遇的意外很可能和药物实验有关。于是，在戴安娜的帮助之下，拉乌尔来到了医院所在地巴黎，开始着手调查儿子死亡背后的真相。

珠影集团曝片单，麦嘉导演的动作喜剧《最新排挡2019》

Professor Mary Beard, renowned classicist and TV historian, is to explore what life was like in one of the world’s most extraordinary and iconic archaeological sites, in Pompeii: Life Before Death, a new landmark programme for BBC One. 　　Mary Beard – a world Pompeii expert and author of Pompeii: Life Of A Roman Town – will be joining an international team as they bring the very latest technology to bear on this most extraordinary of archaeological sites. 　　Mary Beard says: “This is a really exciting chance to find out more about the ordinary people who lived in ancient Pompeii. It's a once in a lifetime opportunity. I'm hoping we're going to unlock some if the secrets about who the people were.” 　　For the first time, a team is CT scanning and fully investigating the world-famous casts of the bodies to analyse the skeletons trapped within, to ascertain all they can about who they were, where they came from and how they lived. A team is also conducting DNA analysis of the bodies for the first time. 　　Elsewhere, the documentary will follow the work of recovering damaged frescoes and mosaics, the excavation and rebuilding of certain key buildings and the organisation and cataloguing of the thousands of astonishing artefacts in the storerooms – from loaves of bread to pet monkeys, paint pots to purses. It will shine a light on the work of archaeologists who are exploring the third of the town that has never been excavated, and will present a unique first look at the complete Pompeii in stunning CGI. 　　Using the evidence gleaned from all this research, the BBC One film will piece together a full picture of daily life in Pompeii before the town was destroyed by the eruption of Vesuvius in AD79.

In this subject a "comique eccentric" enters the drawing room inhabited by spirits. He tries to take off his coat and hat, but these garments return to his head and shoulders as soon as he takes them off. The chairs, his umbrella, his hat, etc., fly away in different directions and by various methods.

The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.

The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.